The Einstein Intersection by Samuel R. Delany

 


As Tracy Chevalier's Girl with a Pearl Earring is a historical novel , so Samuel R. Delany's The Einstein Intersection is a mythic novel.

This to say, when readers click into the world of Johannes Vermeer and 17th Century Delft, Holland, they are poised to enjoy Girl, so if you can click into the world of myth, you'll definitely take to Delany's Einstein Intersection.

Personally, I felt a deep connection with The Einstein Intersection, which is not too terribly surprising since both Joseph Campbell and Carl Jung are among my all-time favorites. I even purchased the hardback edition with a leather cover to get closer to the powerful mythic vibe.

What particularly struck me is how much mythological material Delany packs into just 150 pages. Most appropriate since, unlike historical novels which nearly always benefit by more history, more facts, more detail, more pages, a mythic novel will be strengthened by compression, by fewer pages. Jumping to a number of the tale's major features and themes, we have:

A Hero's Journey
Our main character is a lad of twenty-three by the name of Lobey, called Lo Lobey in his village to denote both gender (male) and status (functional or "norm"). Lobey tells us he's ugly, has a big nose, gray eyes, spun brass for hair, figure like a bowling pin, toes as long as his fingers. Lobey plays his flute/machete, an instrument with twenty holes (we can infer Lobey plays with both his fingers and toes). The novel is, in effect, what Joseph Campbell termed "The Hero's Journey," as we follow Lobey on his adventures beyond his village to his eventual arrival in the city.

Samuel R. Delany composed this short novel in his early twenties and Lobey's tale is punctuated by Delany's journal entries back in those years when the young author traveled across the islands of Greece and throughout the Middle East.

Humans and Aliens
"We are worn out with trying to be human, Lobey." So speaks an older man. One of the most quizzical aspects of the novel: we're reading the saga of a race of outer space aliens who have traveled to our planet thousands of years after humans have become extinct, probably the consequence of nuclear holocaust. These aliens have taken human form, including taking on the entire range of our human emotions and desires.

Curiously, each time I read the novel, I had the lingering suspicion everyone is, in fact, human, that perhaps the "we're all outer space aliens" was a myth created as a survival technique. However, and this is the important point in my judgement, since we're reading a mythic novel - IT DOESN'T MATTER!  That's right, since we're in the world of myth, it doesn't matter one fig if they are humans or aliens.

Greek Mythology, One
"In the older story Ringo was called Orpheus. He too was torn apart by screaming girls." Lobey has lost his beloved Friza. A village elder relates a story mingling elements of the Beatles and the ancient myth of Orpheus. She urges Lobey to take on the role of Orpheus to seek out his Eurydice. And like Orpheus, Lobey is to draw on the power of music as he journeys forth.

Greek Mythology, Two
"The computer whistled a few notes of one of the ancient tunes, some chorus from Carmen. The bull-beast glanced at it uncomprehending." Oh, wow! Lobey is a hunter and one of his encounters is a postmodern reenactment of the myth of Theseus and the Minotaur in the labyrinth. And to add special spice, at the end of one underground tunnel, Lobey also has the opportunity to ask questions of a computer from those ancient human days.



Language, Signs and Symbols
Another intriguing dimension of the story: how words and symbols can remain the same or change over the course of time depending on social and cultural context. Einstein Intersection has a strong 1960s counterculture vibe. Sure, those old myths play themselves out again and again, but each new generation can add zip and sparkle.

Spiderman
In his odyssey, Lobey meets Spider and learns the skills of a dinosaur herdsman, not the least of which is how to ride a dinosaur. For me, this section of the tale takes on the quality of magical mystery tour. Spider assumes the role of a spiritual friend and teacher that each one of us needs as we travel from our village to realms unknown. Is Spider a new variation on comic book hero Spiderman? Such an interesting question I wouldn't want to spoil with an answer.

Juicy Quotes
Love is something which dies and when dead it rots and becomes soil for a new love...Thus in reality there is no death in love. - Par Lagerkvist/The Dwarf

In addition to excepts from his travel journals, Delany sprinkled in delectable quotes like the one above, quotes from James Joyce's Finnegan's Wake to Bob Dylan's Highway 61 Revisited.

Kid Death
What's the difference between Kid Death and Billy the Kid? How will Lobey combat his formidable opponent? For Samuel R. Delany to tell.

Music
"The finger that had pressed my hand now touched my lips. She pouted for silence. With her other hand she lifted my sword. "Play Lobey?""

Music and love, love and music - together forever. Even Spider whistles Kodaly's Sonata for Unaccompanied Cello.

Time for you to join in and read The Einstein Intersection.


Samuel R. Delany, age 23 - photo taken at the time when the author wrote The Einstein Intersection

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