Flash Fiction
- Three American editors collect 72 very short pieces (either one or
two pages long) that have been called skippers, snappers, blasters or
short-short stories or flash fiction. However, call them what you will,
these poppers pack a wallop, sometimes an emotional
wallop, sometimes a walloping conundrum and sometimes a far out, weird
wallop.
By way of example, here are two from the collection in
their entirety (both are within the public domain) that exemplify much
of the spirit of these flashing flashers.
When reflecting on
these juicy fictional smackers, you can ask yourself: how does each
story deal with conflict and change? How do the characters view their
own sense of identity once they undergo a change either brought on by
external circumstances or their own action? Can you imagine witnessing
the events in these stories if you were physical present in Larry
Fondation's diner or Russell Edson's dining room? Is it any coincidence
that in both stories food and eating play a central role? What do you
think of the way the authorities treated Javier? What do you make of the
old man not wanting to hear pain? The list of philosophical question
could continue; however, better for you to first read these zingers.
DEPORTATION AT BREAKFAST by Larry Fondation
The
signs on the windows lured me inside. For a dollar I could get two
eggs, toast, and potatoes. The place looked better than most -
family-run and clean. The signs were hand-lettered and neat. The paper
had yellowed some, but the black letters remained bold. The green and
white awning was perched over the door, where the name "Clara's" was
stenciled.
Inside, the place had an appealing and old-fashioned
look. The air smelled fresh and homey, not greasy. The menu was printed
on a chalkboard. It was short and to the point. It listed the kinds of
toast you could choose from. One entry was erased from the middle of the
list. By deduction, I figured it was rye. I didn't want rye toast
anyway.
Because I was alone, I sat at the counter, leaving the
empty tables free for other customers that might come in. At the time,
business was quiet. Only two tables were occupied; and I was alone at
the counter. But it was still early - not yet seven-thirty.
Behind
the counter was a short man with dark black hair, a mustache, and a
youthful beard, one that never grew much past stubble. He was dressed
immaculately, all in chief's white - pants, shirt, and apron, but no
hat. He had a thick accent. The name "Javier" was stitched on his shirt.
I
ordered coffee, and asked for a minute to choose between the breakfast
special for a dollar and the cheese omelette for $1.59. I selected the
omelette.
The coffee was hot, strong, and fresh. I spread my
newspaper on the counter and sipped at the mug as Javier went to the
grill to cook my meal.
The eggs were spread out on the griddle,
the bread plunged into the toaster, when the authorities came in. They
grabbed Javier quickly and without a word, forcing his hands behind his
back. He, too, said nothing. He did not resist, and they shoved him out
the door and into their waiting car.
On the grill, my eggs
bubbled. I looked around for another employee - maybe out back
somewhere, or in the wash room. I leaned over the counter and called for
someone. No one answered. I looked behind me toward the tables. Two
elderly men sat at one; two elderly woman at the other. The two women
were talking. The men were reading the paper. They seemed not to have
noticed Javier's exit.
I could smell my eggs starting to burn. I
wasn't quite sure what to do about it. I thought about Javier and stared
at my eggs. After some hesitation, I got up from my red swivel stool
and went behind the counter. I grabbed a spare apron, then picked up the
spatula and turned my eggs. My toast popped up, but it was not browned,
so I put it down again. While I was cooking, the two elderly women came
to the counter and asked to pay. I asked what they had had. They seemed
surprised that I didn't remember. I checked the prices on the
chalkboard and rang up their order. They paid slowly, fishing through
large purses, and went out, leaving me a dollar tip. I took my eggs off
the grill and slid them onto a clean plate. My toast had come up. I
buttered it and put it on my plate beside my eggs. I put the plate at my
pot at the counter, right next to my newspaper.
As I began to
come back from behind the counter in my stool, six new customers came
through the door. "Can we put some tables together?" they asked. "We're
all one party." I told them yes. Then they ordered six coffees, two
decaffeinated.
I thought of telling them I didn't work there.
But perhaps they were hungry. I poured their coffee. Their order was
simple: six breakfast specials, all with scrambled eggs with wheat
toast. I got busy at the grill.
Then the elderly men came to pay.
More new customers began arriving. By eight-thirty, I had my hands
full. With this kind of business, I couldn't understand why Javier
hadn't hired a waitress. Maybe I'd take out a help-wanted ad in the
paper tomorrow. I had never been in the restaurant business. There was
no way I could run this place alone.
American author Larry Fondation
DINNER TIME by Russell Edson
An
old man sitting at table was waiting for his wife to serve dinner. He
heard her beating a pot that had burned her. He hated the sound of a pot
when it was beaten, for it advertised its pain in such a way that made
him wish to inflict more of the same. And he began to punch at his own
face, and his knuckles were red. How he hated red knuckles, that blaring
color, more self-important than the wound.
He heard his wife
drop the entire dinner on the kitchen floor with a curse. For as she was
carrying it in it had burned her thumb. He heard the forks and spoons,
the cups and platters all cry at once as they landed on the kitchen
floor. How he hated a dinner that, once prepared, begins to burn one to
death, and as if that weren't enough, screeches and roars as it lands on
the floor, where it belongs anyway.
He punched himself again and fell on the floor.
When
he came awake again he was quite angry, and so he punched himself again
and felt dizzy. Dizziness made him angry, and so he began to hit his
head against the wall, saying, now get real dizzy if you want to get
dizzy. He slumped to the floor.
Oh, the legs won't work, eh? . .
. He began to punch his legs. He had taught his head a lesson and now
he would teach his legs a lesson.
Meanwhile he heard his wife smashing the remaining dinnerware and the dinnerware roaring and shrieking.
He
saw himself in the mirror on the wall. Oh, mock me, will you. And so he
smashed the mirror with a chair, which broke. Oh, don't want to be a
chair no more; too good to be sat on, eh? He began to beat the pieces of
the chair.
He heard his wife beating the stove with an ax. He called, when're we going to eat? as he stuffed a candle into his mouth.
When I'm good and ready, she screamed.
Want me to punch your bun? he screamed.
Come near me and I'll kick an eye out of your head.
I'll cut your ears off.
I'll give you a slap right in the face.
I'll break you in half.
The
old man finally ate one of his hands. The old woman said, damn fool,
whyn't you cook it first? you go on like a beast — You know I have to
subdue the kitchen every night, otherwise it'll cook me and serve me to
the mice on my best china. And you know what small eaters they are; next
would come the flies, and how I hate flies in my kitchen.
The old man swallowed a spoon. Okay, said the old woman, now we're short one spoon.
The old man, growing angry, swallowed himself.
Okay, said the woman, now you've done it.
American author Russell Edson, 1935-2014
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