Why
read books? And if you do read books, what sort of psychic shifts and
personal transformations might you undergo? Italian author Gianni Celati
touches on these questions in his People Who Read Books Are Getting Phonier All the Time, a highly engaging novella that's always charming and occasionally downright beguiling.
The
story starts off innocently enough: a young man, unnamed, an avid
reader of books, leaves his studies at university and looks for a job
where he can read many books to better determine their content and
meaning. He hits on what he thinks might be an ideal profession:
bookseller.
However, our somewhat naive protagonist is in for a
series of shocks. He and his new girlfriend follow a manager from a
publishing house as this middle-aged man with a mustache knocks on
people's doors. The goal: to be invited in to deliver his sales pitch
and leave with a signed contract wherein the sucker falls for the hoax
of buying expensive books (usually encyclopedias) that they'll never
read.
Two aspects of this sales technique: 1) when someone opens
the door, don't tell them you're trying to sell them something; tell
them you're doing “market research” on peoples' favorite reading
material. (This highly unethical form of deception was standard practice
back in the days of door-to-door encyclopedia sales), and 2) as a
seller of books, never be a reader of books since the customer will
“smell you out” and never want to buy books from you. (Sad but true: the
general public both dislikes and mistrusts people they perceive as
intellectuals, bookworms or eggheads).
I wouldn't be surprised
if, as a young man, Gianni Celati had his own firsthand experience with
sales people like the man with the mustache. This section of the
novella, much of it laughable, leaves no doubt a good chunk of the
publishing world is all about marketing and selling books rather than
the actual reading of books.
At one point the young man attends a
lecture given by two famous literary critics. During the question and
answer session, he musters up the courage to ask the older critic about
his literary tastes. The older critic answers: “My literary tastes? I
want a book not to be whining. If a writer is desperate let him hang
himself. I read two or three pages and if I find them whining or
desperate I give it a bad review. There is nothing better than a really
bad review to warn the author that he is taking the wrong road.”
Not
put off, the young man asks a second question about what books mean.
The older critic found this second question even more annoying. “These
are things one asks only if one understands nothing about literature. If
I find this question in a book I finish the writer off for life.”
Oh,
my! Again, I wouldn't be shocked if Gianni Celati was on the receiving
end of a reviewer who found his voice “too whining” and his fiction “too
philosophical” and attempted to finish Celati off for life.
Surely
one of the more intriguing sections has the young woman reflecting on
the use of words – word in books, words on the street, words used in
conversation. “It seemed to her that written words and words in general
were constantly emitting signals to attract attention with the strangest
kind of winks.” For me, her reflections hearken back to the ideas of
Norwegian philosopher Peter Wessel Zapffe when he states we humans
attempt to shield ourselves against the reality of death and
meaninglessness of life by distracting ourselves with chatter, a
constant buzzing of language that might anchor us by such things as
identifying ourselves as wealthy or part of some club or organization.
Additionally
and perhaps most provocatively, our young lady sees words and language
in books (mostly novels) as yet another way to shield us from the
ghastliness of life. For with books, we can sit back and read about
people in conflict while we ourselves observe from a safe distance. This
creative process for both writers of novels and readers of novels is
what Zapffe terms artistic sublimation.
Lastly, the young man
eventually starts to write a novel himself. To discover his subject and
how he's getting on as an aspiring novelist, I highly recommend you read
this fine work by Gianni Celati (for readers of English, one of four
novellas published in Appearances by Serpent's Tale).
Italian author Gianni Celati, 1937-2022
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